{"id":3372,"date":"2020-09-13T12:00:34","date_gmt":"2020-09-13T16:00:34","guid":{"rendered":"https:\/\/315music.com\/?p=3372"},"modified":"2020-09-12T23:40:15","modified_gmt":"2020-09-13T03:40:15","slug":"flashback-interview-tommy-stinson-of-the-replacements-and-guns-n-roses","status":"publish","type":"post","link":"https:\/\/315music.com\/index.php\/2020\/09\/13\/flashback-interview-tommy-stinson-of-the-replacements-and-guns-n-roses\/","title":{"rendered":"Flashback Interview: Tommy Stinson of The Replacements and Guns &#8216;n Roses"},"content":{"rendered":"\n<p><em>Editor&#8217;s Note: The following is from an interview with Tommy Stinson originally published on Dec. 10, 2019. <\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Tommy Stinson is perhaps best known for his time in one of the most influential American alternative bands of the past 40 years, The Replacements. However, he also spent 16 years as Axl Rose\u2019s bassist in the Chinese Democracy-era version of Guns N Roses and now performs as a solo act as well as with his bands Bash &amp; Pop and Cowboys in the Campfire. Stinson has certainly lived a rock and roll life, one that included him joining The Replacements at the age of 15.<\/p>\n\n\n\n<p>The road antics of The Replacements read like a movie script. At one point, while holed up in Bearsville Studios in Woodstock recording what would become their 1989 album <em>Don\u2019t Tell a Soul<\/em>, the band shared the grounds with Metallica. The exploits of The Replacements scared even the hardened metalheads in Metallica during this period. Author Bob Mehr documented many of these stories in his 2016 biography of the band, &#8216;Trouble Boys \u2013 The True Story of the Replacements.&#8217;<\/p>\n\n\n\n<p>The Hudson resident recently sat down in advance of his series of solo New York \u201cliving room\u201d shows taking place in early December. Stinson discussed his latest projects, his time with Guns &#8216;n Roses, being a dad and of course, his time in The Replacements.<\/p>\n\n\n\n<p>Bash &amp; Pop\u2019s latest album <em>Anything Could Happen<\/em> was released in early 2017 and Stinson is currently working on the band\u2019s third as well as two other projects \u2014 a solo album and one with Cowboys in the Campfire. <em>Anything Could Happen<\/em> is a raw, bluesy, rock and roll album filled with songs that would fit nicely in a playlist alongside The Rolling Stones, The Faces and obviously, The Replacements.<\/p>\n\n\n\n<figure class=\"wp-block-embed-spotify wp-block-embed is-type-rich is-provider-spotify wp-embed-aspect-9-16 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Anything Could Happen\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/1DHCYEGgta7I7OxK5zpu9L?utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Mike Kohli: You\u2019re coming from Montreal for this little run of shows in New York.<\/p>\n\n\n\n<p>Tommy Stinson: I\u2019m going to go up to Montreal to do this Joe Strummer benefit thing that happens a lot. Jesse Malin is a big part of how this happens. I\u2019m starting in Montreal and going to Hamilton and Toronto and Buffalo\u2026<\/p>\n\n\n\n<p>It\u2019s kind of my way of keeping myself active a bit. Like I\u2019m working on three different records right now. But I gotta play for the peoples a little bit because it\u2019s what keeps me alive. And I don\u2019t want to make a big fuss about it because I\u2019m in between things and stuff like that, but I can stand there with my acoustic guitar and just sing ya a bunch of shit, a bunch of songs or whatever.<\/p>\n\n\n\n<p>MK: Did you come up with this idea of playing in these types of venues?<\/p>\n\n\n\n<p>TS: Yes, I did and I\u2019ll tell you why. I\u2019m in between records and have been for a while. The intimate gigs with just the bare minimums are a cool part to like \u2013 ya know, I\u2019ve played all kinds of places all over the world \u2013 What\u2019s interesting to me is to switch it up and do different things, get right in people\u2019s faces and sing a song right to them, that kind of thing. It makes sense sometimes. I figure if I do six to eight gigs a month, I have the rest of the month to work on the other three records I\u2019m trying to finish up and do a thing with and it will work out.<\/p>\n\n\n\n<p>MK: You\u2019ve played in front of 50,000-60,000 people at a time when you were with Guns and the Replacements reunion gigs were big shows too. When you guys first started out, you were probably playing in front of basically a roomful of your friends, right?<\/p>\n\n\n\n<p>TS: Kegger parties and shit, yeah.<\/p>\n\n\n\n<p>MK: You\u2019re coming from a place with a punk rock heart in a way, right?<\/p>\n\n\n\n<p>TS: I\u2019m trying to get myself to a place where I can do it on my own terms. If I feel like getting out and playing new songs, stuff I\u2019ve been working on for Bash &amp; Pop, Tommy Stinson solo stuff, Cowboys in the Campfire\u2026whatever it is. If I feel like going out and playing some songs, not stretch myself out too much. I\u2019ll go do that. Test the songs out. See what people think. See if people like them and all that crap. It gives me a place to start with new material.<\/p>\n\n\n\n<p>MK: But do you feel exposed doing that? Or are you past that stage at this point in your career?<\/p>\n\n\n\n<p>TS: It\u2019s beyond naked. It\u2019s beyond the skin. It\u2019s like you\u2019re fucking up there in your bones going, \u201cHeyyyy, here\u2019s a song I wrote last week\u2026\u201d It\u2019s that kind of thing.<\/p>\n\n\n\n<p>MK: These projects you\u2019ve been talking about, you\u2019re working on albums for all three of these projects?<\/p>\n\n\n\n<p>TS: I\u2019m working on all three at once.<\/p>\n\n\n\n<p>MK: Is that all going to be done at your studio?<\/p>\n\n\n\n<p>TS: Um, no. And I\u2019m not gonna tell ya where they\u2019re going to be done because I don\u2019t know yet. Certainly, a good hunk of it will be done at my studio here in Hudson, New York. A good portion of it could be done in other places too, like Muscle Shoals or Memphis. I got things going on.<\/p>\n\n\n\n<p>MK: I ran into your one-off gig in Ithaca about three years ago. You had a gig canceled in Toronto or something and picked this one up\u2026<\/p>\n\n\n\n<p>TS: That was Ithaca, what was the name of that bar?<\/p>\n\n\n\n<p>MK: The Haunt<\/p>\n\n\n\n<p>TS: Wow. I loved that night. It was fucked up. We got a canceled gig but we\u2019re going that way anyway. Where do we pick one up? That was totally fucking awesome. I lost my voice in the middle of that one. That was kinda fucking weird.<\/p>\n\n\n\n<p>TS: But ya know what? All the dudes I play with are old comrades. They\u2019ve been down the road before. That\u2019s the reason I play with these kinds of people. It\u2019s an important thing. It\u2019s good to get in the trenches with people you love and pull shit like that. I remember that night pretty well, as messed up as my voice got in the end. What a cool bunch of people.<\/p>\n\n\n\n<p>MK: So the guys you played with back then, these are the same guys you\u2019re playing with as Bash &amp; Pop now, right?<\/p>\n\n\n\n<p>TS: Yup.<\/p>\n\n\n\n<p>(<em>Editor\u2019s note: The current lineup of Bash &amp; Pop includes Steve Selvidge of The Hold Steady on guitar, Joe Sirois of The Mighty Mighty Bosstones on drums and Justin Perkins of Screeching Weasel on bass.<\/em>)<\/p>\n\n\n\n<p>MK: Do you feel like you guys are really starting to gel as a band now? &nbsp;<\/p>\n\n\n\n<p>TS: Well, ya know what? We did that record and toured behind it. And now we\u2019re working on new material for another one. I went down to Memphis to work on some stuff with Steve\u2026I gotta get Joe Kid up here to work up some of these songs before we get everyone in it. The reason I\u2019m saying this is because I really don\u2019t want to produce this one in my studio on my own again. I\u2019d like us to get a good 10-12 song set together of new songs that we could ultimately learn one way or another\u2013over the phone or whatever the fuck\u2013and ultimately come together and play it live in the studio and record it in a heartbeat.<\/p>\n\n\n\n<p>MK: So you\u2019re sharing files over the internet to get everyone on the same page?<\/p>\n\n\n\n<p>TS: Only to get the bits down. What I don\u2019t want to do, is get to the studio and do 20 takes of one song. I just can\u2019t do that. I\u2019ve never been able to do that. So my core idea of how to make a record that I would want to listen to again would be to go in the studio and make a record in three days, tops.<\/p>\n\n\n\n<p>MK: Efficient.<\/p>\n\n\n\n<p>TS: That\u2019s the way we did it in the \u201980s. You can look back at Queen. They made their first record, they kept re-running the tapes. They basically wore the tapes out to get \u201cBohemian Rhapsody\u201d and it was a huge hit. There are all kinds of tales of that. But most of it comes from, the band plays live in the studio. You capture what you get in a three-hour session or whatever. And if you don\u2019t get it then you try to get it the next day. The clock\u2019s ticking.<\/p>\n\n\n\n<p>MK: And it creates a sense of immediacy that everyone has to all be together to make it work.<\/p>\n\n\n\n<p>TS: Absolutely! The best Replacements records were done that way. My favorite records were all done that way. It was only because of the advent of multiple\u2026more than eight tracks of sound, 16, 32 tracks\u2026it just became masturbatory. And you could just sit and fuck around and waste a fucking year making a record. No, no, no, we don\u2019t have any money. The best records are made when you\u2019ve got no money and you gotta make a record in a weekend.<\/p>\n\n\n\n<p>MK: So that\u2019s how you approach it these days?<\/p>\n\n\n\n<p>TS: Yeah, totally. Because I hate\u2026no one cares about the sound quality and all that bullshit. The overthinking is overthinking always. People are listening to it on their iPhones or their computers or their iBuds, whatever the fuck they got. It doesn\u2019t really matter. What it comes down to is the song.<\/p>\n\n\n\n<p>MK: I agree.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"The Replacements - Bastards Of Young (Video) [HD Remaster]\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/fl9KQ1Mub6Q?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>MK: When I listen to the <em>Anything Can Happen<\/em> album, it\u2019s got a really raw, Stones-y\/Faces feel to it. That\u2019s something you probably grew up listening to, right?<\/p>\n\n\n\n<p>TS: A little bit, yeah.<\/p>\n\n\n\n<p>MK: But it\u2019s still got that Replacements-y sound to it as well. Which you\u2019re not going to escape. You were a Replacement at the age of, what, 11? 12? It\u2019s ingrained in your DNA at this point.<\/p>\n\n\n\n<p>TS: Exactly<\/p>\n\n\n\n<p>MK: Just listening to it, it\u2019s almost like a great lost Replacements album in its sound.<\/p>\n\n\n\n<p>TS: Yeah, yeah. Well, thank you. I appreciate that.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Bash &amp; Pop - Anything Can Happen (Live on KEXP)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/CbY814euDPg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>TS: I wouldn\u2019t boo-hoo that. I mean, I came from where I came. I\u2019ve made the records I\u2019ve made. Jeez, I\u2019d be remiss if I didn\u2019t say I didn\u2019t learn a lot from Paul Westerburg (Replacements vocalist) or Peter Jesperson (Twin\/Tone Records owner) as well or my brother (guitarist Bob Stinson of The Replacements) or Chris Mars (Replacements drummer). I learned a lot from all those people. We were all buddies and pals and turned each other on to different shit. I\u2019d be remiss if I didn\u2019t cop to it and say, yeah, I\u2019m proud of all that and certainly, I learned a lot from all of them.<\/p>\n\n\n\n<p>MK: When you put this album together when you put any of your albums together really, are you sitting down writing parts for each individual musician you\u2019re planning on playing with? Are you allowing input from them? Is it a collaborative effort?<\/p>\n\n\n\n<p>TS: Ya know it\u2019s mostly a collaborative effort. If I can do that. If I have a song idea, I\u2019ll send it to Steve or Joe or Jeff or Justin\u2026I\u2019ll throw it out, \u201cDo you have an idea for this? For bass or guitar here?\u201d and try to work it out as a group effort. My whole theory is that it\u2019s a group effort the best it can be. If I write the song, I write the song. But if they come up with parts, I always give them their due on the parts that are important. That\u2019s the way I\u2019ve always known how to do that.<\/p>\n\n\n\n<p>MK: Did Luther Dickinson (North Mississippi Allstars) play on this latest one too?<\/p>\n\n\n\n<p>TS: Yeah, he played on &#8220;Anything Can Happen.&#8221;<\/p>\n\n\n\n<p>MK: I read that he was in the studio during the production of (1987 Replacements album) <em>Pleased to Meet Me<\/em> that his dad (famed producer Jim Dickinson) was producing for you guys in Memphis. He jumped in during the recording of \u201cShooting Dirty Pool.\u201d Is that true? Because he was like, what 14-15 at the time?<\/p>\n\n\n\n<p>TS: Yeah, yeah. He was a kid. He was totally a kid. It was kind of a part of a thing and a story and a bit. And um, yeah, that all happened. I can\u2019t go down that road too much cuz it\u2019s sad that Jim\u2019s not here anymore (<em>Editor\u2019s note: Jim Dickinson died in August 2019<\/em>). But um, Luther is like a fucking little brother to me.<\/p>\n\n\n\n<p>MK: During that recording, is that when you two struck up a friendship and kept it going all these years? You probably weren\u2019t that much older than he was then, right?<\/p>\n\n\n\n<p>TS: Yeah, I\u2019m a bit older than he is but um, yeah, that\u2019s where we struck up a relationship. But then we also hit it back up. We started a band together, him, Cody (Dickinson) and I. I went to Memphis seven or eight years ago to work up some songs for a new project that I\u2019m gonna leave the name out of. Ya know, we\u2019ve got way deep history I can\u2019t really go into it. It\u2019s a lot.<\/p>\n\n\n\n<p>MK: Is that project something that will see the light of day?<\/p>\n\n\n\n<p>TS: That\u2019s why I\u2019m not talking about it.<\/p>\n\n\n\n<p>MK: OK, fair enough.<\/p>\n\n\n\n<p>(long pause)<\/p>\n\n\n\n<p>TS: Yes. (laughter)<\/p>\n\n\n\n<p>MK: So when you\u2019re playing these solo gigs. I\u2019m assuming you\u2019re doing strictly your stuff. Solo material, Bash &amp; Pop stuff\u2026do you get into any Replacements material? And if you don\u2019t, do you get a lot of guff from the fans looking for you to play Replacements?<\/p>\n\n\n\n<p>TS: No, because I didn\u2019t sing any Replacements stuff. I\u2019d be stupid getting up there trying to fucking sing fucking \u201cAlex Chilton.\u201d I didn\u2019t sing that. I played bass on it and helped write it. I was part of writing I suppose. No, no, I wouldn\u2019t do that. The only Guns &#8216;n Roses song I would sing would be the one that I fuckin\u2019 wrote that apparently has leaked all over the internet the past 15-20 years. Whatever.<\/p>\n\n\n\n<p>MK: That project there. Going back to what you said previously about getting a recording done quickly, that project, the <em>Chinese Democracy <\/em>album became almost a punch line in the media for how long it took to complete. What kind of project was that for you? Was that something you were in and out of for years? Did you work on your own stuff too?<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Guns n&#039; Roses - &quot;Motivation&quot; (Tommy Stinson) live in Paris - France 05\/06\/2012\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/1PjtJGz1l20?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>TS: Nah, that was a fucking huge undertaking. You\u2019re trying to reinvent the wheel at that point, ya know? Without being able to reinvent the wheel. There was a lot of good stuff that was on that record and I\u2019m totally proud of being a part of it and all that. And you can\u2019t, I can\u2019t get too far into it right now, but you can\u2019t underestimate how important it was to try and make a great record. With all the great records they already made as Guns &#8216;n Roses from the \u201980s. It was a different period, a new time, a new place. And Axl is always forward-thinking in a lot of ways, Mike, ya know? He\u2019s always like, he wants to step 20 years ahead and fucking make a record. And the rest of the guys are like, \u201cBut this is what we are. This is how we do it.\u201d And he\u2019s just always pushing the envelope in a way. You\u2019re always gonna have a conundrum with that.<\/p>\n\n\n\n<p>MK: Well that\u2019s the mindset of a creative person. They don\u2019t want to look back. They want to keep looking forward.<\/p>\n\n\n\n<p>TS: EXACTLY<\/p>\n\n\n\n<p>TS: And ya know what? For all practical purposes, it was a great gig for me. And I\u2019ll tell you what, I have nothing but respect for those guys, all of them. A bunch of them are my friends. The only one I don\u2019t know is Slash so much. It was a great gig. And ya know, I wouldn\u2019t take any of it back.<\/p>\n\n\n\n<p>MK: Do you miss it?<\/p>\n\n\n\n<p>TS: No<\/p>\n\n\n\n<p>TS: I miss the people.<\/p>\n\n\n\n<p>TS: I don\u2019t miss the schedule and the touring and all that stuff, the way that was. I did almost 20 years of that and it takes its toll, ya know?<\/p>\n\n\n\n<p>MK: I bet.<\/p>\n\n\n\n<p>MK: So when you left Guns &#8216;n Roses in 2014, it was during a pretty tumultuous time in your personal life. And so you became a full-time dad at that point. Your daughter was young then.<\/p>\n\n\n\n<p>TS: She\u2019s 11 now. I had to kind of basically (sighs)\u2026I had to say I couldn\u2019t do a bunch of tours right around the time my relationship with my soon-to-be-ex fell apart and had to basically, had to be a stay at home dad. And luckily at the same time, as I was not able to do a four to six-week tour, the Replacements went out and did the reunion stuff on weekends. The weekend gigs I could manage with being a stay-at-home dad and all the stuff going on in my life. But the reality is, I really couldn\u2019t do a four-week tour of Europe or a six-week tour of this or that. I had to say I couldn\u2019t do it because I had a little kid. And I don\u2019t regret any of that. And ya know what? If that\u2019s what spurred on Duff and Slash coming back and playing with Ax, that\u2019s fantastic. People are loving it. It\u2019s great. As well it should be. That\u2019s all I got to say about that.<\/p>\n\n\n\n<p>MK: Your daughter, does she appreciate music?<\/p>\n\n\n\n<p>TS: She\u2019s 11 years old. She sings, dances around. She\u2019s more into gymnastics than vocalizing. (laughter)<\/p>\n\n\n\n<p>MK: What\u2019s she listen to? Does she try to turn you on to stuff she listens to?<\/p>\n\n\n\n<p>TS: Yeahhh, it\u2019s music 11-year-olds listen to, ya know. She knows a good amount of other stuff. One of her big (laughter) \u2014 because she asked, which I appreciate so much \u2014 one of her favorites is (AC\/DC\u2019s) \u201cDirty Deeds Done Dirt Cheap.\u201d (laughter) She\u2019s done videos for that. I don\u2019t want to put my kid\u2019s face up on Twitter and all that. She\u2019s funny as shit. She knows the solo, the whole thing. She plays air guitar and sings it. She knows the words. I don\u2019t know why it\u2019s one of her faves\u2026<\/p>\n\n\n\n<p>MK: It\u2019s a fun song.<\/p>\n\n\n\n<p>TS: Well yeah, obviously it\u2019s a fun song. I love it as well. I can\u2019t put it out there. I want to be as private as I can and not have her thrown out in public. Ya know, that kinda thing.<\/p>\n\n\n\n<p>MK: Is she aware of your place in music?<\/p>\n\n\n\n<p>TS: Yeah, yeah\u2026her teachers know who the fuck I am and why and all that crap.<\/p>\n\n\n\n<p>MK: Is there any respect for that legacy?<\/p>\n\n\n\n<p>TS: There\u2019s respect for it but it\u2019s a pain in the ass. Some teachers are inappropriate about it sometimes. So you gotta watch out for that.<\/p>\n\n\n\n<p>MK: One thing I wanted to bring up, I don\u2019t know if it\u2019s even touchy\u2026Rock and Roll Hall of Fame, you guys have been on the ballot for a few years. I think you guys should definitely be in. Thoughts?<\/p>\n\n\n\n<p>TS: Well, I\u2019ll give you one last anecdote before I gotta go. I gotta go to a parent-teacher meeting right now. One last anecdote on that particular question. &nbsp;Questlove is working his ass off to get the Replacements in the Rock and Roll Hall of Fame. And that\u2019s all I\u2019ll say to you.<\/p>\n\n\n\n<p>MK: No shit, Questlove? Nice.<\/p>\n\n\n\n<p>TS: No shit.<\/p>\n\n\n\n<p>MK: That\u2019s great.<\/p>\n\n\n\n<p>TS: (laughter)<\/p>\n\n\n\n<p>MK: Let\u2019s hope it happens.<\/p>\n\n\n\n<p>Stinson brings his solo set to Wildflowers Armory in Syracuse Thursday, Dec. 12 as part of a string of New York dates in unorthodox performance spaces. He\u2019s performing a private show in somebody\u2019s living room in Hamburg just outside of Buffalo on Tuesday, Dec. 10 and at Rochester\u2019s Bop Shop Records on Wednesday, Dec. 11. The mini-tour wraps with a performance at Barry Family Cellars in Burdett on Dec. 13. Tickets for all but the Hamburg show are still available and range in price from $25 to $100 for a special \u201cDrinks with Tommy\u201d ticket.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Editor&#8217;s Note: The following is from an interview with Tommy Stinson originally published on Dec. 10, 2019. Tommy Stinson is perhaps best known for his time in one of the most influential American alternative bands of the past 40 years, The Replacements. However, he also spent 16 years as Axl Rose\u2019s bassist in the Chinese [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3373,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,7],"tags":[4798,4797,4799,3990,4200],"class_list":["post-3372","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-alternative-indie","category-interviews","tag-ac-dc","tag-guns-n-roses-2","tag-questlove","tag-the-replacements","tag-tommy-stinson"],"_links":{"self":[{"href":"https:\/\/315music.com\/index.php\/wp-json\/wp\/v2\/posts\/3372","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/315music.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/315music.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/315music.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/315music.com\/index.php\/wp-json\/wp\/v2\/comments?post=3372"}],"version-history":[{"count":0,"href":"https:\/\/315music.com\/index.php\/wp-json\/wp\/v2\/posts\/3372\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/315music.com\/index.php\/wp-json\/wp\/v2\/media\/3373"}],"wp:attachment":[{"href":"https:\/\/315music.com\/index.php\/wp-json\/wp\/v2\/media?parent=3372"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/315music.com\/index.php\/wp-json\/wp\/v2\/categories?post=3372"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/315music.com\/index.php\/wp-json\/wp\/v2\/tags?post=3372"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}